Jon Bausor


Jon trained on the Motley Theatre Design course after studying Music as a choral scholar at Oxford University. During this Prize phase, Jon was designing Silence (RSC, Filter), The Homecoming (RSC) and Lord of The Flies (Regents Park).
Theatre credits include: KURSK (Sound and Fury/Young Vic; Evening Standard Best Design nomination); No Wise Men (Peepolykus/Liverpool Playhouse; Best Design Liverpool Daily Post); James and the Giant Peach (Octagon, Bolton; Manchester Evening News Awards Best Design nomination); Sanctuary (National Theatre). 
Design credits for opera include: The Knot Garden (Theatre an der Wien, Vienna); Queen of Spades (Edinburgh Festival Theatre); The Lighthouse (Teatro Poliziano, Montepulciano); The Human Comedy (Opera Group/Young Vic). 
Design credits for dance include: Blood Wedding (Finnish National Ballet); Pleasure’s Progress, Ghosts, Before the Tempest (ROH); A Tale of Two Cities (Northern Ballet Theatre); Scribblings (Rambert); Firebird, HOWL (Bern Ballet, Switzerland); Snow White in Black (Phoenix Dance Theatre); Mixtures (English National Ballet). 


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